SUP Surfing

When many surfers hear the word SUP, they immediately think of the over 40 crowd floating along the bay inexplicably wearing a leash as they slowly cruise along over 2″ ripples. Then there are the surfers who also surf SUPs. This is a different breed of watermen and waterwomen and nothing like the bay floaters.

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Choosing Finishes in Post Production

It always amazes me how the story an image tells changes depending on the finish you apply to your image. Let’s take, for example, this image I shot of the Hotel del Coronado. To me, it provides a glimpse into the past. The tonal range of the photo suggests a film camera; something appropriate for a vintage resort. Perhaps it is a stormy day, yet it has warm tones so it is a bit of a mystery…

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Shooting in May Gray and June Gloom

“Silent Sentinel”

May Gray has definitely settled in for those of us that live along the coast and we can expect June Gloom to follow. As a photographer, my work is all about the light and usually color. I absolutely love sunny days, blue skies, and blue water and the vibrant images that can be created in those settings. So what to do in May and June? Well, in the spirit of lemonade from lemons, our annual marine layer presents some wonderful opportunities to see our world in a slightly different way.

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Shooting the Crew Classic

Every spring, a convoy of trucks towing trailers filled with state of the art shells and long oars descend on Mission Bay. Then come the busses filled with athletes from schools all across the nation. Finally, SUVs and minivans pull into the parking lots, disgorging excited parents wearing all forms of college attire. That’s when we know it is time for the annual San Diego Crew Classic.

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Imagery for Outdoor Areas

“Silent Shroud”

Remember when photos were something you got in packs of 12 or 24 from the drive up Kodak Fotomat? Your options consisted of rounded corners or normal corners. If you had a really special image, you could go to the local photography shop for a paper enlargement made in their darkroom. Oh how far we’ve come from those days. Today, the options are incredible…

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Editing: The Surfing Workflow

From RAW to Finished Image

I get a lot of questions about workflow when I’m out shooting the surf scene. First, I appreciate the question because there is so much more to capturing a good image than just pointing and shooting and anyone who asks the question has obviously struggled with the editing process. So, here I strive to share the steps I take once the day’s shooting is complete and I’m back at the computer.

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Photography as Art: It’s in the Installation

Purple Haze

One of the beauties of our modern, connected world is the access to all sorts of cool images. We see them every day on social media. Often, however, there is disconnect between photography and art. How many images do you see posted on Instagram that you immediately think would look good hanging in your home of office? Not many, I would venture to guess. But here is another way to think about it…

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Surf Photography – Hacks for Staying Warm

Shooting surfers in the water or seeking the next cool wave shot is immensely fun and a heck of a workout. Our bodies, however, are warm blooded – that is we pump blood to keep warm. When we submerged in water that is colder than our body, our muscles and nerves start to cool and over time and this leads to loss of strength and coordination (not so wonderful)! Here in San Diego, our average ocean temperature is only 63. So what to do?

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Capturing the Flow of the Ocean

Flow

The ocean: always changing; always beautiful. I have spent thousands of hours on the shore gazing through my lens at different aspects of the Pacific and I am drawn to the shapes and colors of incoming swells. To me, there is real art in the swell and it only depends on how you choose to capture it. A slow shutter blur is one method that creates beautiful images. Here’s how it is done:

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