
I often get asked for the inspiration behind my images. “How do you arrange your shoots,” “how do you set up your lighting,” “how do you choose your subject matter?” Well…
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I often get asked for the inspiration behind my images. “How do you arrange your shoots,” “how do you set up your lighting,” “how do you choose your subject matter?” Well…
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Shooting in the water is at times super frustrating, but the rewards can be so worth the effort. I get a lot of questions on how this image came about so I invite you to click below to read the story behind this image.
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Usually dormant, North Island is a peaceful beach reserved for naval personnel. With the sounds of freedom thumping and humming from the runway just steps from the beach, this tiny patch of the Pacific usually offers a direct contrast to the activity on the base. Until……
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Every race has its own pageantry and large visuals. Yet every race is comprised of many individuals, all with unique feelings, struggles, and personal victories. While we tend to think about action shots in the middle of races, the finish line should not be overlooked as the place and moment where individual expression is at its highest. Last weekend…
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Standing still and silent, the Coronado Bridge traverses the bay in a graceful curve, carrying workers and visitors back and forth to downtown. It is relatively new (1969), but an icon that represents San Diego as much as Balboa Park.
Continue readingWhat an amazing run of swell we have enjoyed here in Southern California. Pundits call it a once in 50 years kind of swell. I call it “busy time.” As a surf photographer, the opportunities have been broad and the toughest part has been choosing where to shoot every morning.
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Readers, I am thrilled to share that I have been asked to do a solo photography exhibition on Nov 11. It will be held at the Emerald C Gallery in Coronado and I hope you can all attend. So what have I decided to show? I will share some previews here:
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We have all seen dozens of surf shots, ranging from the out-of-focus speck on the horizon to crystal clear action in the massive barrels of Teahupoo. Guess which ones we are drawn to? Of course, its the full-framed action shots with color and clarity. Alas, we can’t always be in Tahiti during a killer swell. Instead, 90% of the time we are shooting at the local break with waves that are typically too small to fill the frame themselves. So what can we do to make those shots enticing?
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