San Diego County is home to some of California’s most iconic ocean piers—each with its own personality, history, and coastal charm. These piers aren’t just for fishing or strolling; they offer front-row seats to the Pacific and a glimpse into Southern California lifestyle.
Marking the coast of San Diego County are a series of piers stretching out into the ocean past the surf line. Some of these were built in the late 1800s to support coastal trade. More were added in the early 1900’s as pleasure piers. Today, they stand silently in the depths, willing couples to stroll, fishermen to cast and surfer’s to shoot.
There is a patch of old So Cal coast where time is forgotten and development was left behind. It is raw; it is natural; it is called the Tijuana Sloughs. It also happens to be a great place to spend a day with your camera.
I am drawn toward images on people’s walls that evoke an emotion; especially positive ones. So when I go out to shoot, I am always keeping an eye out for the opportunity to capture a single moment that communicates my feelings at that time.
Readers, I am thrilled to share that I have been asked to do a solo photography exhibition on Nov 11. It will be held at the Emerald C Gallery in Coronado and I hope you can all attend. So what have I decided to show? I will share some previews here:
Photographers in San Diego know that a wonderful secret exists in the southern reaches of the San Diego Bay. With the ocean on your west, there is only a thin strip of road called “The Strand” that separates the ocean from the wetlands, which host an amazing assortment of water birds, from skimmers to osprey. There is one particular feathered friend that dazzles and surprises. Yes, we play host to a wild flamingo. He is a brilliant shade of pink with a wingspan of nearly five feet and has made himself at home in the expansive shallows between the Cays and Imperial Beach. The locals have given him several names, but Pink Floyd, or simply “Floyd” seems to have stuck.
We have all seen dozens of surf shots, ranging from the out-of-focus speck on the horizon to crystal clear action in the massive barrels of Teahupoo. Guess which ones we are drawn to? Of course, its the full-framed action shots with color and clarity. Alas, we can’t always be in Tahiti during a killer swell. Instead, 90% of the time we are shooting at the local break with waves that are typically too small to fill the frame themselves. So what can we do to make those shots enticing?