What an amazing run of swell we have enjoyed here in Southern California. Pundits call it a once in 50 years kind of swell. I call it “busy time.” As a surf photographer, the opportunities have been broad and the toughest part has been choosing where to shoot every morning.
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The Tiny Anemone – The Perfect Anamnesis of Summers Past

Remember those summer days as a kid when you raced down the sand at low tide to the closest jetty to see if there were any tide pools? The most magical things awaited our inquisitive minds. Maybe it was because our heads were barely three feet away from our toes, but tide pooling was an all-encompassing endeavor. Think about it; we were actually encouraged to stick out our little finger and touch things – a wonderful interlude to the persistent instruction of “don’t;” which seemed to play on repeat during my early summers.
Continue readingSurf Photography – Utilizing the Background

We have all seen dozens of surf shots, ranging from the out-of-focus speck on the horizon to crystal clear action in the massive barrels of Teahupoo. Guess which ones we are drawn to? Of course, its the full-framed action shots with color and clarity. Alas, we can’t always be in Tahiti during a killer swell. Instead, 90% of the time we are shooting at the local break with waves that are typically too small to fill the frame themselves. So what can we do to make those shots enticing?
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