For surfers, shooting the pier means taking a wave on one side of the pier and surfing through the pier itself on the same wave. For surf photographers, however, shooting the pier has an entirely different meaning. This is a term
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The world ebbs and flows just as the ocean along the shore. Buildings are built, businesses are created and then, just like that, some disappear forever. It never ceases to amaze me how these changes occur through my lens. Let me explain…
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San Diego County is home to some of California’s most iconic ocean piers—each with its own personality, history, and coastal charm. These piers aren’t just for fishing or strolling; they offer front-row seats to the Pacific and a glimpse into Southern California lifestyle.
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Sunday marked another Paddle for Clean Water at OB; another community effort by Surfrider Foundation; another year in the long line of continual years of seeking a solution to the problems affecting our coastline…
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Marking the coast of San Diego County are a series of piers stretching out into the ocean past the surf line. Some of these were built in the late 1800s to support coastal trade. More were added in the early 1900’s as pleasure piers. Today, they stand silently in the depths, willing couples to stroll, fishermen to cast and surfer’s to shoot.
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I am drawn toward images on people’s walls that evoke an emotion; especially positive ones. So when I go out to shoot, I am always keeping an eye out for the opportunity to capture a single moment that communicates my feelings at that time.
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By now, most of you know I love the colors of the ocean, particularly shades of blue. I was recently asked about shooting the ocean in black and white and whether that is worth the effort. I respond with a resounding YES! B&W photography is a powerful tool to creating a desired mood…
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We have all seen dozens of surf shots, ranging from the out-of-focus speck on the horizon to crystal clear action in the massive barrels of Teahupoo. Guess which ones we are drawn to? Of course, its the full-framed action shots with color and clarity. Alas, we can’t always be in Tahiti during a killer swell. Instead, 90% of the time we are shooting at the local break with waves that are typically too small to fill the frame themselves. So what can we do to make those shots enticing?
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